![]() ![]() If you don’t like spot metering and it’s giving you bad results, you can try your camera’s matrix/evaluative metering mode. If you’re using Aperture Priority, you’ll need to lock the exposure that way, you don’t end up with varied exposures as the performers jump around the frame. If you’re using Manual mode, you can dial in the settings, then compose without worrying about fluctuating meter readings. Then place the artist’s face in the middle of your viewfinder and memorize the recommended exposure settings. So here’s what you do:įirst, switch your camera to spot metering mode. When shooting concerts, the artist will often be lit by a spotlight while the rest of the stage remains dark. It works especially well when your subject and background are differently lit. ![]() Spot metering limits your camera’s exposure readings to the center of the scene – which allows you to determine the exposure based on a small subject (e.g., a face). Also note that you can sometimes salvage noise-heavy images with noise reduction during post-processing, or you can convert your files to black and white for a grittier, noir-type look. It can help to spend some time capturing test shots at various ISOs, then magnifying the images on your computer and evaluating the noise levels in your images. Only raise it when absolutely necessary, and be mindful of your particular camera’s high-ISO capabilities. The specifics will depend on your camera (modern sensors do a very good job of minimizing high-ISO noise!), but you should always be cautious when boosting the ISO. In other words, as you push your ISO from 400 to 800 to 1600, you start to get little flecks of color and light that look pretty bad. Unfortunately, a high ISO does come with a significant tradeoff: image noise. Otherwise, your shots will end up far too dark (or you’ll be forced to drop your shutter speed, which will introduce blur). But if you’re shooting a low-light concert, I’d recommend kicking this up to 1600, 3200, or even 6400. Your camera’s ISO range likely starts at 100. The higher your ISO, the less light you need for a proper exposure – and in concert photography, where light is generally limited, this is a key setting to get right. Looking to level up your photos of rock concerts, symphonies, and everything in between? Here are the settings that I recommend you keep in mind while photographing: 1. ![]() The 12 concert photography settings everyone should know Still, by dialing in these key settings, you’ll be well on your way to capturing stellar images that bring the stage to life. Lighting conditions can change from one moment to the next, and what works for a high-energy rock concert may not be ideal for a subdued jazz performance. It’ll get you about 80% of the way – but to truly shine in this challenging field, you need to understand when to fine-tune your settings, you’ll need to understand why these settings are so crucial and what they actually do, and you’ll also need to learn a few additional camera settings to consider.Īlso, always remember that every concert is unique. Think of this list as your concert photography cheat sheet. ![]() If you’re eager to grab your camera and head to a gig tonight, these settings will net you solid results: Before we dive into the nitty-gritty, let’s take a moment to review my go-to settings for concert photography. ![]()
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